Ngo, Jillian NGO_LOOK1_1
Ngo, Jillian NGO_LOOK1_2
Ngo, Jillian NGO_LOOK1_3
Ngo, Jillian NGO_LOOK2_1
Ngo, Jillian NGO_LOOK2_3
Ngo, Jillian NGO_LOOK2_2
Ngo, Jillian NGO_LOOK3_3
Ngo, Jillian NGO_LOOK3_2
Ngo, Jillian NGO_LOOK3_1
Ngo, Jillian NGO_LOOK4_1
Ngo, Jillian NGO_LOOK4_3
Ngo, Jillian NGO_LOOK4_2
Ngo, Jillian NGO_LOOK5_3
Ngo, Jillian NGO_LOOK5_2
Ngo, Jillian NGO_LOOK5_1
Slide

The Armor Paradox posits that to don armor is to battle against the self’s destruction, but in doing so, we put it and ourselves on the path to erosion. Through asymmetry, distortion, and the integration of metal into traditionally soft crafts, the garments embody collapse and persistence at once: armor as strength, armor as decay. In a culture of acceleration, in this dog-eat-dog world, everything that is given up— time, identity, even the self, can be expendable in the pursuit of something greater. We chase greatness because we fear insignificance. In this quest to become larger than life, to surpass the human, we are driven by the most human of fears: that without our armor, we might be nothing at all.

previous arrow
next arrow

De La Salle-College of Saint Benilde © 2026 All rights reserved.